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Saturday, June 14, 2008



Beneath It All: '50s and '60s Underwear
by Pat JacobsAfter World War II, lingerie designers celebrated their liberation from wartime restrictions with a lavish use of color, sheer fabrics, and lace (In the 1950s, printed and colored underwear were successfully marketed. New fabrics like Dacron and nylon debuted. There was increased use of rayon.)Women missed and wanted glamour again that had been deprived in the war; enter the conical bra, the height of 1950s underwear fashion.The Bullet Bra (featuring exaggerated pointing or cone-shaped cups) and Push-Up Bra (by Frederick's Of Hollywood) all debuted during this decade. Women now appeared to have breasts that almost reached their necks!Panties became more colorful and decorative.Hollywood and the movies also influenced undies: "Sweater girl" Lana Turner's bras helped to make her an anatomical wonder (Legend has it that Jane Russell's bras were designed by Howard Hughes) and the T-shirt (Named because of its shape and design) became popular.
T-shirts were previously worn as strictly underwear, but Marlon Brando ("A Streetcar Named Desire", 1951) and James Dean ("Rebel Without A Cause", 1955) remade this item into an icon of cool (for men only at this time).
As the '50s went on, Elizabeth Taylor in "Cat On AHot Tin Roof" (1958) made a fashion statement (andprobably scandal) wearing a custom-made slip throughmost of that movie.
Slips were also featured in "Psycho" (1960) withJanet Leigh in a white bra and slip, than later as adecamping embezzler in a black ensemble.Frederick's Of Hollywood and Maidenform becamenationally prominent during this decade. Frederick'swas created by Frederick Mellinger (he claimed to haveinvented the first push-up bra) in 1946. He started out with a racy catalog which quicklybecame popular, then branched out into a chain of morethan 175 stores. You could say that Frederick's wasthe Victoria's Secret of its day.For two decades (1949-1969) Maidenform had one ofthe most successful advertising campaigns ever. Theyconverted everyone's worst nightmare-appearingundressed in public-into an effective way to sellbras.The ads featured models in everyday or fantasticsituations, elaborately costumed but wearing only aMaidenform bra above the waist, with the slogan "IDreamed I (whatever action the ad conveyed wasinserted here) In My Maidenform Bra". For example, "IDreamed I Painted The Town Red In My Maidenform Bra". A typical late '50s underwear ensemble mightconsist of a very structured pointed bra to givedefinition for fitted bodices, while sheer petticoatslong and short were layered to add buoyancy to fullcircle skirts.The year 1959 would see some innovations that wouldcarry over well into the sixties and beyond. Mesh stockings (or hose), which previously wouldhave been worn only on stage or for seductionpurposes, began its way into the mainstream.
Women's involvement in active sports (and dance)also contributed to female undrwear change (pun fullyintended), but not quietly.
In 1955 Italian tennis player Lea Pericol revealedlacy panties during her game that caused a sensationat Wimbledon. In 1959, another tennis player,"Gorgeous Gussie" Moran's one-piece tennis dress withlace-trimmed underpants made headlines worldwide.As the new decade dawned from 1960 to 1963, men hada new underwear option: briefs and boxer shorts couldnow be bought with bold patterns or with images onthem (Except for this and a wider array of colorsavailable, men's underwear basically remained thesame).
However, Ringer T-shirts (the collar and sleeveends are of a different or contrasting color than theshirt itself. Introduced in mid-decade, this tookhold in the late '60s. Tie-dye and screen printingT-shirts were also in demand.) became popular amongthe youth and rock sub-culture.
For women, the bosom was still the main fashionfocus: Bras, due to newer, lighter material (Lycra)became prettier, easier to wash, and more wearable.In 1961, the Model 1300 plunge push-up bra debuted.This was the forrunner of the Wonderbra (made by thesame company).
A typical early-mid '60s underwear ensemble were asofter, lighter bra and panty girdle. But even withthis vast improvement, more changes were underway.By mid-decade, fashion went through a completerevolution like everything else, it seemed.
Innovations such as panty hose (seamless debutedin 1965 and in 1967 strong colors were consideredcutting edge; hosiery was still usually flesh-toned)and mini-skirts made the girdle obsolete to a newgeneration of women.
A few designers, such as Yves St. Laurent and RudiGernreich put out sheer blouses without bras, or a"no-bra bra" (this had molded nylon cups with a narrowelastic band that encircled the rib cage), but thesewere impractical for most women. (Inspired byGernreich's creation, Warners developed the bodystocking in 1964 or '65. Acounts vary.)Smaller panties, like hip-huggers and bikinis, became available.Ankle-to-shoulder underwear for slacks and tights debuted in '65.By 1967, underwear no longer hid the body shape,instead revealing and controlling it. Bras were wireand padding-free (if you were wearing the newest ones;Many women stayed with what they were used to.) The Wonderbra debuted in 1968 (It made a 34 cuplook 36) and was a huge hit, as were bra slips.It was also the era of protest. Some womenstopped wearing bras or underwear, period. It becamefashionable in some circles, perhaps in response tothe hippie movement. But most didn't, because most NEEDED theirundergarments (Small-breasted women could go bralessand still look decent, but if you were a size 38 or 40D, come on now!).

I'm getting better


So...I made myself a cute little red and white polka-dot tote today. Didn't turn out half bad either....not as Cute as the one on thefarmchicks.com, but I'm still proud of myself for improving.

The Golden Age


The 1950s - A Rare Golden Age Indeed

By David Bellm
Over the years it's become extremely common to view the postwar period- the 1950s in particular - as America's Classic Era, a utopia to beadmired and emulated forever more. With its innovative spirit, boundlessenergy, and seemingly limitless possibilities, many Americans haveadopted this unique, colorful era as the touchstone for the course of thenation. They see this as a time when "everything was right" in America,a period in which the United States really fulfilled its destiny as theleader of the world in all respects that mattered.We were after all, the technological leaders of the entire planet. Noone produced more cars, airplanes, locomotives, medicines, bombs, orbridges than America during the 1950s. And we were also the culturalleaders of the time. This was where Jackson Pollock stunned the art worldwith his audacious breakthroughs in modern painting, while Elvis Presleyand Chuck Berry employed a daring new musical form called rock & rollto induce hysterical, frenzied excitement among the masses. Theseexemplary pursuits were framed by political and military initiatives thatstrived with remarkable efficiency to raise the rest of the world toalmost our level and bolster them against the oppressive forces that stillremained in power in Europe.Ours was a nation of seemingly all things good and admirable. We wereconfident, powerful, smart, and ambitious. Why shouldn't we forever holdthe era up as an ideal to aspire to, a halcyon period in which wefinally "got it right," the kind of America we should compare all otherlater iterations of our culture to?But no matter how hard we try, we could probably never duplicate the rareconvergence of circumstances that produced the magic of the era anyway.Much of the reason there was so much abundance in the 1950s, is thatthe excess production of our war-inflated industrial base was by thattime chasing such a small number of consumers. Population growth inAmerica had been flat for a number of years. Families during the GreatDepression simply couldn't afford large families. Then, America enteredWorld War II, which severely limited the opportunities to start families.And then there's the matter of America's unflagging optimism in the1950s. Unlike almost any era except the 1980s, America in the 1950s wasdesperate to be optimistic again. By 1946 we had lived under the blanketof a general glumness for nearly two decades, first with theDepression, then WWII. When those obstacles were finally removed, Americanscouldn't help but be consumed by an almost unstoppable longing to lead "TheGood Life."At the same time, how could the United States not be the technologicalleader of the world? There was, in fact, little of "The World" leftstanding after it had been bombed into rubble the previous decade. Americafound it easy pickings to dominate the world industrial scene - ourswas among the only significant industrial infrastructure left in anylarge capacity.And these are just a few simple examples of the many ways in which thejoys of 1950s America could really be best characterized as a being afluke -- an anomaly.Now, don't get me wrong. I don't point out these things to make less ofthe 1950s. It will forever be my favorite of all eras in Americanhistory. It was the climactic moment when our nation was poised at thesummit, astride the world with a benevolent smile and a youthful energythat still holds an obvious, immediate magic when studied decades later.Rather, I say these things to point out that this was a rare aligningof the planets - a one-in-a-million moment that produced spectacularresults that reverberated throughout the world, forever imprinting ourcollective psyche in how things could be.And that only makes the 1950s more special. This was a cherished epoch,one which America will likely never see the likes of again.

Retro Coolness.




So, here are some cool pics of a retro home....such character!

Could the Farm Chicks be even lovlier? No!!


I had such a fantastic time at the Farm Chicks...so many unbelievably talented people! The goods were amazing....I came home with some terrific finds.
Too bad for me, me digital camera broke, and I had to get a cheapo, that took the pictures upside down.....this is the best I got!